Some Harbin paper tricks

Since I had the Harbin resources out (Lewis’ biography, Steinmeyer’s notes from assorted places, reprinted stuff from Abracadabra, Mysto Magic’s reprint of his books, and “Harbin’s book”) , I thought I’d see if there was any interesting “paper effects” for Feburary’s meeting of the Northwest Ring of Fire.

Harbin loved things that folded but I eliminated most of those since they were cardboard or fibreboard (often plywood) and I wanted “paper”.  I had to take a detour to UTube to watch his performance of Zig-Zag Lady.  I also eliminated mental and mind reading stuff that used paper although he had many published ideas on these. Noted elsewhere is the fact that Harbin did not publish any tricks that involved origami.  Steinmeyer used Harbin’s ideas to invent a piece using origami for the Harbin Centenary Celebration (A Tribute to Robert Harbin, “A Trick for Lillian”).

I still think his newspaper tear (can be seen on UTube) is one of the best situational presentations of magic that makes sense.  He describes both methods he used in his works (Demon Magic and “his book”).  He also had a couple of newspaper predictions that involved tearing.  Three from from his book, Demon Magic: “Some Paper Magic”, looked interesting. Continue reading

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Notes on designing new season’s show

I came across these notes from January 2011 and realized they had never been published but do reflect what happens every year.  Looking back it was interesting to see that the ideas for new additions were pushed to 2012.  I added comments that update the notes to reflect what really happened.  I ceased writing to this site during 2011 except for this piece — 2011 was not a great year for Royal Magick’s show — the audience did not know the constant challenges thrown in the way of the show.

Every year after the season closes I review the show and comments in order to plan revisions for next season.  The general formula is 1/3 new stuff – 15 min., 1/3 recycled from older seasons – 15 min., and 1/3 signature pieces (like “Zinger’s Magick Bottle”) – 15 min..  Pre-show, beginning, middle, climax, and encore is the framework we use for the show.  At the end of last season I did a mental review and made notes but did not put anything down on paper (paper is a good idea since mental stuff gets revised and lost); the need to put a “Victorian Show” together raised its ugly head and took over all thought.  I should write about that Victorian show, its headaches, successes, and what I learned about indoor shows that I had forgotten. Continue reading

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Exploring routines from NWRF theme list

During the winter months I read extensively from or about one author, it is a focused input of ideas and thoughts that helps develop the show for future seasons.  A period of 3 – 5 years seems to be required for concepts to filter and jell into routines that tie together and fit my style.  This aspect of my overall winter reading is not about types of tricks (cards, silks, liquid, illusions, etc.) but more a general overview of the individual’s approach and thoughts.  Of course I’m reading all the time but have noticed there is a certain focus on individuals.  Later (sometimes several years later) I come back and review what I’ve read,  I have had time to think about connections and usually have questions that require study to understand.

The concentration changes, one year Karl Germain, David Devant, Okito, Robert-Houdin, Jim Steinmeyer, Eric Lewis, Robert Harbin, Tommy Wonder , Daryl Fritzee, and onward.  Tarbell and Hoffmann are special cases but their style of writing gives hints to their approach and thinking.

About January I create a list of the routines, types of routines, and concepts that I might want to learn.  There is a difference between know/learn/understand/perform/keep.  Like most people interested in magic, I want to know how things are done but don’t want to do most of what is out there.  Some of the routines I want to learn in order to follow how they are crafted together, some of them I want further study and (perhaps) practice in order to understand the subtle points that make them workable.  The list gets narrowed down to a few that I’m willing to perform privately or publicly.  And a minuscule few enter into my repertoire as “keepers”. Continue reading

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Harbin’s origami (suggested by “Robert Harbin Night”)

Northwest Ring of Fire’s President (Jeff Dial) used February’s theme of “Robert Harbin Night — Tricks with paper, books, envelopes, etc.” to connect Harbin’s origami expertise  (paper outside of playing cards) and how it can be used in magical entertainment.  Harbin was the first president of the British Origami Society.  Interestingly, Jim Steinmeyer researched and was unable to find a published Harbin trick that combined magic and origami.

Three years ago, during Steinmeyer’s comments at the Magic Circle’s Harbin Centenary Celebration, he related a conversation with Lillian Oppenheimer, who brought paperfolding to America, “She interrupted the conversation to point out, ‘You know, I think that Harbin also did some magic, didn’t he?’  The fact that Ms Oppenheimer could make this remark, and I could find it funny, is evidence of jus how important Harbin was in these two different fields.”

“The Magic of Robert Harbin” (1970) remains a collectors’ item at 500 copies because Harbin willed his books’ copyrights to the British Origami Society who honored his wishes not to reprint this one; BOS passed that wish and copyright to the Magic Circle for safekeeping.

Harbin’s hands were seen in 1955 on BBC in six shows (“Mr. Right & Mr. Left”); the hands “made an origami figure, then repeated it slowly step by step while he gave verbal instructions.”  Eric Lewis relates that Harbin commented that “he had made more money from the publication of his Origami books than he ever did with magic.”  Harbin died in 1978.  Origami, also published as Teach Yourself Origami and Origami 1, is qouted as selling 750,000 copies in the 1976 impression by Coronet Books. The 1976 version was the 25th since the first impression in 1968.  Origami: the art of paper folding, by Robert Harbin, originally published as Teach Yourself Origami, Hodder, 1969.  The sales of Robert Harbin’s Origami books published by Hodder paperbacks exceeded 1 million by 1978 (see BOS magazine, number 69).  Paper Magic, Oldbourne Book Co., 1956. is often suggested as the most influential Western origami book. Continue reading

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Thoughts on Cards

January 2012′s Northwest Ring of Fire (IBM club) meeting theme is about tricks with borrowed decks of cards.  I enjoy the puzzle of how card tricks work and occasionally find routines that are thoughtfully crafted enough to delight me — but, most card tricks and their presentations exhibit the worst traits of amateur magic and magicians  [very personal opinion].  I once asked Kirk Charles, who’s opinion I highly respect, what was the attraction of “card tricks” and he simply answered, “People like them”.  Since we should entertain “people”, I guess Kirk’s answer is the prime reason to know some card tricks.  I’m not sure about performing them unless the effect/routine is “priceless” — I let others do that.  Basically I’m not a card trick or cardman. Continue reading

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Ring of Fire 2011 Holiday party

Northwest Ring of Smoke (Lynnwood Magic Ring) always holds annual party after the holiday season partly because some members are working during the holiday, some are too busy, and some just get to things late. Continue reading

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2011 stimuli

Being a perfectionist I want all things I create to be perfect and therefore don’t finish a lot ‘cuz they aint.

Decide that I’d jot down more snippets and thoughts and then put them into more polished pieces instead of leaving them to vaporize in my mind’s filing system.  Therefore there will be more posts and hopefully more organized pieces plus some polished connections.  Also will play with theme and layout of this blog (include fixing bugs let in with updates) to reflect what it contains.

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Another routine & how it develops

For a long time I’ve wanted to use the puppetry skills of the Knight sisters with Royal Magick’s performances.  Several challenges collided and the time seems right to experiment and push my comfort zone.  Here is thinking on a large marinotte, using a 7 or 8 year old child as assistant or magic maker, going with the flow, customizing somewhat standard routines, and solving presentational issues.

This is a rough rambling, long, train of thought writing — depending on when you read it, it will get cleaned up, cleared up, expanded, and edited down to size.  Thought I’d grab thoughts since they follow one way a routine develops. Continue reading

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